The Zimbabwe Exhibit
Zimbabwe's stone-covered landscape might easily explain the important sculpture
movement that made this exhibition possible. Huge rocks rise up in the hills just
outside the capital city of Harare, where hidden caves hold paintings by ancient
bushmen. The sprawling stone ruins of the Great Zimbabwe, a massive thousand year-old
palace, have become a national shrine. Matopos National Park is an amazing world
of granite outcrops. Even the country's name venerates stone. In the local Shona
language, "Zimbabwe" means "stone houses." Despite all the natural reasons for stone
sculpting, the medium has only recently been reclaimed as a means of artistic and
cultural expression in Zimbabwe. Joram Maringa, one of the first modern Zimbabweans
to demonstrate the potential of carving native stone, initiated a workshop with
a handful of pupils in 1958. Since then, emerging artists have learned sculpting
techniques as apprentices to more accomplished sculptors. Some go on to study art
abroad, returning to apply global influences to their work.
Zimbabwean sculpture has become internationally known through exhibitions in Europe
and the U.S. Sculptors in Zimbabwe bring tons of rock from the mountain quarries
to their outdoor studios, where they use hand implements to shape a variety of different
stones. The poetic and whimsical forms that the artists create are drawn from life
and myth depicting, for example, mother and child, a bird embracing a man, a water
spirit, women in conversation and a traditional greeting. While tied to Zimbabwean
culture, they speak of universal themes: the role of family, the relationship of
man to nature and the importance of the spiritual. For this sculpture walk, twelve
artists have carved a series of dynamic stone figures. The sculptures invite you
to celebrate the source of their beauty Zimbabwe, a land rich in nature and culture.
--
Cathy Byrd
– Atlanta-based art critic and curator
This permanent exhibition of contemporary Zimbabwean sculpture is located in the
Transportation Mall between the moving sidewalks along the pedestrian corridor that
connects Concourse T to Concourse A.
The Airport Atrium also acts as a gallery of 16 wall surfaces that support a changing
art environment. The work is displayed for about six weeks and can be found on each
side of the four Atrium support columns.
2008 – 2009 Atrium Gallery Schedule
March 21 – May 7/ Erica Wilson: 1 FL OZ
May 9 – June 18/ Selections from Caversham Press (various artists, in partnership
with Fulton County Arts Council)
June 20 – July 30/ Road to Freedom: Photographs from the Civil Rights Movement
(various artists, in partnership with High Museum of Art)
August 1 – September 10/Perry Dilbeck: Truck Farmers: The Last Harvest
September 12 – October 22/Constance Thalken: Purge
October 24 – December 10/Judy Rushin: The Construction of Memory
December 12 – Jan. 28, 2009/Lynne Moody: Native Americans
January 30 – March 11/Nate Moore
March 13 – April 29/Steve Tanner
Youth Art Galleries
The Airport Art Program maintains three Youth Art Galleries: one in Concourse T,
one in Concourse D, and one in Concourse E. Artwork on Concourses T and E comes
from the Georgia Art Educators’ Association, which coordinates with art teachers
in Georgia schools to display the work. The art on Concourse D comes from the Youth
Art Connection, a Boys’ and Girls’ Club program. Each gallery is rotated every 3-5
months.